Preface
Henryk Baran (University at Albany, SUNY). New Look at XlebnikovпїЅs Poem пїЅO cervi zemljanye...пїЅ Context and sources.
Henrik Birnbaum (University of California, Los Angeles). Parallels and Contrasts, Traces and Echoes. Further Remarks on Man del'shtam and Celan.
N. A. Bogomolov (Moskovskii universitet). пїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ. пїЅ. пїЅпїЅпїЅпїЅпїЅпїЅпїЅ.
Diana Lewis Burgin (University of Massachusetts, Boston). Contexts and Reverberations of Sophia ParnokпїЅs Journey from her a пїЅFatherпїЅs ThresholdпїЅ: An Analysis of пїЅOtchego ot ótchego poroga...пїЅ
George Cheron (California Institute of Technology). Konstantin BalпїЅmont and America.
Thomas Eekman (University of California, Los Angeles). Rime as a Compulsory and Heuristic Factor: The Slavic Translations of K. BalпїЅmont.
E. G. Etkind (Université de Paris X пїЅ Nanterre). пїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ.
Aleksandar Flaker (Sveučilište u Zagrebu). пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅ.
Lazar Fleishman (Stanford University). пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ.
B. M. Gasparov (Columbia University). пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ.
Aage A. Hansen-Love (Universität München). MandelпїЅshtamпїЅs Thanatopoetics.
Vyach. Vs. Ivanov (University of California, Los Angeles). пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ.
Simon Karlinsky (University of California, Berkeley). Morshen after Ekho i zerkalo.
Emily Klenin (University of California, Los Angeles). Fet and the Poetic Tradition: Anapestic Tetrameter in the Work of Polonsky, Fet, Golenishchev-Kutuzov and Lokhvitskaya.
Anna Lawton (Purdue University). The Futurist Roots of Russian Avant-garde Cinema.
Barbara Lonnqvist (Åbo Akademi, Finland). пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ.
John E. Malmstad (Harvard University). From the History of the Russian Avant-garde.
Jean-Claude Marcadé (Centre national de la recherche scientifique, IMSECO, Paris). пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ. пїЅ. пїЅпїЅпїЅпїЅпїЅпїЅпїЅ.
Olga Match (University of Southern California). Zinaida Gippius: Theory and Praxis of Love.
Nils Åke Nilsson (Stockholm University). Knut Hamsun in Russia: Vasily KamenskyпїЅs The Mud Hut.
Katherine Tiernan OпїЅConnor (Boston University). Reflections on the Genesis of the Pasternak-Tsvetaeva-Rilke Correspondence.
Rodney L. Patterson (University at Albany, SUNY). Was BalпїЅmont a Revolutionary or Not?
K. Ju. Postoutenko (Institut mirovoi literatury). пїЅ. пїЅ. пїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅ (пїЅ пїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅ).
пїЅmrпїЅ Ronen (University of Michigan). пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅ.
M. I. Shapir (Moscow). пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ (пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅ...пїЅ: пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ).
Rochelle Stone (University of California, Los Angeles). New Poetic Dimensions in Bella AkhmadulinaпїЅs Taina. Novye stikhi.
K. F. Taranovsky (Harvard University). пїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅ пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅ.
Roman Timenchik (Hebrew University, Jerusalem). пїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ 1920-пїЅ пїЅпїЅпїЅпїЅпїЅ.
Ronald Vroon (University of California, Los Angeles). Velimir KhlebnikovпїЅs пїЅKuznechikпїЅ and the Art of Verbal Duplicity.
Willem G. Weststeijn (University of Amsterdam). Sologub and the Poetry of the Eighties.
Dean S. Worth (University of California, Los Angeles). Some Old Russian Glosses to KhlebnikovпїЅs пїЅUsadпїЅba nochпїЅyu, chingiskhan!пїЅ
Alexander Zholkovsky (University of Southern California). Philosophy of Composition (пїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅпїЅ пїЅпїЅпїЅпїЅпїЅпїЅ).
Vladimir Markov. Selected Bibliography.